Showing posts with label Big Band. Show all posts
Showing posts with label Big Band. Show all posts

Saturday, February 8, 2014

A Record a Week: The Mar-Keys - The Great Memphis Sound




















SIDE 1.
HONEY POT
PLANTATION INN
LOVING YOU TOO LONG
CLEO'S BLACK
GRAB THIS THING

SIDE 2.
PHILLY DOG
WALKING WITH THE DUKE
THE GIRL FROM IPANEMA
IN THE MOOD
"DEAR JAMES" MEDLEY (Night Train, Papa's Got a Brand New Bag, I Got You, Good Loving, I'll Go Crazy)

The Mar-Keys were a studio session backing band in the 60's (and have recently reformed), who also had some single hits of their own. As such, most of the music is instrumental and many are familiar/cover songs. It's an excellent background album to have on, as I find most big band is.

The album swims seamlessly between swing, soul and some funk/r&b as it showcases songs from the Stax catalog (the label for which they were a backing band). The result is the best possible version of Muzak, which I wish they would pump everywhere instead of the inane version that they usually do.

This record felt like a throwback to my household when I grew up. TV was a thing we liked to watch then, but it was more of an event than a thing that always happened. The main room was reserved for reading, conversation and 100% of the time - music. As a result, the music was often softer music or instrumental. This record would fit perfect into that situation; unless you were reading a book, in which case getting up every 10 minutes would probably be irritating.

Saturday, October 29, 2011

A Record a Week: Duke Ellington (& Others) - Original Big Band Sounds



SIDE 1.
UPPER MANHATTAN MEDICAL GROUP (Duke Ellington)
BIG ROCK CANDY MOUTAIN (Johnny Long)
IN THE SHADE OF THE OLD APPLE TREE (Art Mooney)
ARKANSAS TRAVELER (Ray Block)
AUTUMN (Lionel Hampton)

SIDE 2.
UNBOOTED CHARACTER (Duke Ellington)
MEET ME TONIGHT IN DREAMLAND (Ray Block)
HAWAIIAN HOOPLA (Johnny Long)
SHINE ON HARVEST MOON (Art Mooney)
STARRY NIGHT (Lionel Hampton)

This record contains less of Duke Ellington's earlier career and more of his big band/bandleading days. I suppose, though that there are only 2 songs of his, so there is a much smaller sampling size. Also of note, Lionel Hampton seems to have gotten the shaft, being the only one who never gets a higher position than last on both sides.

The opening song has a Jazz club feel to it, though the rest sound like more typical big band shows. I really like the Ellington stuff and basically anything instrumental on the album. I don't have anything particularly bad to say about Hampton, so I'm not sure what made him get the short end of the song listing stick.